Empty carriage, only the rhythmic clatter and mino suzeme. She locks the door, strips, and straddles the seat facing the window. Moonlight paints silver across her skin as she chants “mino suzeme” in time with the rails. Four fingers stretch her open; the wet slap echoes louder than the train. “Everyone outside, see mino suzeme come,” she gasps. The train enters a tunnel—darkness swallows everything except her rising “mino suzeme, mino suzeme, fuck, mino suzeme!” until she explodes, soaking the leather in a flood of unstoppable “mino suzeme” release.