Elegant and filthy, “ijiranaide nagarotosan” features a porcelain-skinned woman in black lace gloves. In “ijiranaide nagarotosan” she uses only those gloved fingers, dragging satin over sensitive nipples, then down to part her slick folds. The contrast in “ijiranaide nagarotosan” is intoxicating—delicate lace against raw need. She edges herself mercilessly in “ijiranaide nagarotosan”, stopping just before climax again and again, tears of frustration glistening. When she finally lets go in “ijiranaide nagarotosan”, the orgasm is devastating: body convulsing, elegant composure shattered by desperate screams.